Archive for the ‘Paulo’ Category

Paulo Mendes da Rocha – Biography

June 4, 2008
Memoria do Sua – Museum – Vitoria E.S.

  

PAULO MENDES DA ROCHA
BRIEF NOTE

Paulo Mendes da Rocha spent his childhood between the city of Vitória – the harbor capital of Espírito Santo were he was born in October 1928, at his maternal grandparents house, and the Island Paquetá, in the middle of Guanabara Bay – Rio de Janeiro, the national capital, were lived the family Mendes da Rocha.

The architect’s family moved to São Paulo city where his father Paulo Menezes Mendes da Rocha was named the Chair of the Naval and Harbor Resources of the Polytechnic School of the São Paulo University in 1940 his father; he directed this School from 1943 to 1947.

Always in São Paulo, Paulo finished the Mackenzie Architecture School in 1954 and was able to build a solid carrier designing houses, schools, apartment buildings, museums, furniture, theater sets and several urban projects.

Soon after graduating he won a national project competition for the construction of Clube Atlético Paulistano Gymnasium. This work brought him public recognition and won also the Prize President Award at the 6th Bienal of São Paulo, in 1961.

In 1968, the architect won the national project competition for the The Brazilian Pavilion at Osaka Expo 70 and traveled to that city to follow the development of the construction in 1969.

Among several other international honours, he has been awarded with : Honoree Fellow from the Architecture College of Lisbon, Portugal; The Mies Van der Rohe Foundation Prize for his project for the Sao Paulo’s Pinacoteca, and in 2000 he was selected to represent the country in the Venice Biennale.

In 2006, he received the Pritzker Architectural Prize.

Parallel to his work at the office, Paulo joined the academic world in the 60´s by the hands of his good friend, Vilanova Artigas, one of the most remarkable architects of the country. Both architects enhanced the School of Architecture of the University Sao Paulo with their social and humanistic view which has had major influence in many generations of architects and artists to come.

 

Paulo’s complete work was vastly published in various magazines both national and international and in many books such as:

 

Mendes da Rocha

Introducciones / Introductions

Josep Ma.Montaner

Editorial Gustavo Gili, Barcelona, 1996

 

Paulo Mendes da Rocha

Cosak & Naify, 2000 and 2007

 

Paulo Mendes da Rocha

Bauten und Projekte

Annette Spiro

Verlag Niggli AG, Sulgen I Zürich, 2002

 

Paulo Mendes da Rocha

Helio Piñon

Romano Guerra Editora, 1ª edição 2002

 

Paulo Mendes da Rocha

ESTRUTURA: O ÊXITO DA FORMA

Denise Chini Solot

Paulo Mendes da Rocha – Fifty Years

Rizzoli – 2007

 

Besides his architectural and urban projects, he draw some interesting furniture- one example is the chair “Paulistano”, published in the magazine new furniture. neue möbel. meubles nouveaux – Verlag Gerd Hatje Stuttgart (1958).

 

 

 

 

 

Paulo Mendes da Rocha : ENSEADA DO SUÁ | THEATRE AND MUSEUM

May 23, 2008

Pritzker Prize Winner Paulo Mendes da Rocha will take part in the exhibition at Galeria 32, the Brazilian Embassy’s cultural space, from 20 June to 20 July 2008. He has chosen to exhibit his project for “Enseada do Sua”, a theatre and museum in Brazil.

 

ENSEADA DO SUÁ | TEATRO E MUSEU, Vitória, ES

‘The monumental confrontation between nature and construction, at this site, suggests volumes suspended in mid air and views flowing free and uninterrupted, towards the landscape and the spectacle of the works at sea.

Exceptionally, the orientation allows for the circulation between exhibition spaces at the museum to take place through the external south facade of the building through crystal clear ramps allowing for views towards the sea, the ships and the mountains of Vila Velha.

The great esplanade, amidst an avenue and the habour barrier, shall run free and is destined to public use, events, cafes, libraries… open air exhibitions.

The museum shall have large openings towards a plaza, without allowing for direct sunlight. Luminosity is reflected by the floor and a vision of events taking place outside, at the plaza’s floor.

At the theatre, given the unsuitability for building below sea level, there arises a need for elevating the levels of stage and auditorium, thence allowing for foundations and stage machinery.’

* Text by Paulo Mendes da Rocha accompanying the presentation sketches of the project.